Which is all to say, only layer when there is a good reason for doing so. Layering must be approached with care, with an understanding of the dangers and with a clear idea of what each constituent sound is going to add to the composite final. This is often because they like a drum sound so layer it onto existing drum/s and wonder why the beat doesn’t instantly sound better – two kick drums, they think, should by default be better than one. ![]() Many producers end up panicking over drum layering after their first few attempts end with muddy, ill-defined results. Here we focus on the art and craft of drum layering.
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